In this case I used a dark green (Hooker’s Green) and brown (Burnt Umber) with just a little bit of black (Ivory Black).ģ.) Here I have started painting in some of the details, like the trees themselves and even some of the individual branches. Then I tape it ot my masonite board and draw over the lines again.Ģ.) This next stage involves mixing a nice base color for the most common color in your background. I don’t have transfer paper, so I make my own by coloring heavy with graphite on the back of a piece of paper after my drawing is complete. From start to finish, youġ.) In this first initial stage, I start by making a simple drawing/outline of the most important objects. I will take you through my usual “technique” (if you want to call it that) that I use with almost all of my paintings. It’s always interesting to see how other artists create their work, and it can be a great learning tool. in Studio Art and hope to make wildlife/equine art my full time profession. I have recently graduated from Northwestern College in St. From that point on, I have wanted to excel in the field of wildlife art while continuing my passion for equestrian art. I discovered the sublime in a powerful way, a feeling I hope is portrayed in all my art. We were able to get very close to a large bull elk-something I’ve never done before but had always wished to experience. When my family and I took a vacation to Yellowstone in 2009, my inspiration skyrocketed. My passion for art has only grown throughout the years and my love of animals has kept up with it. So it was only natural that I combine my two loves. Ever since I could hold a pencil, I have had a love of drawing and animals.
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